The silent pains of the body
never prepare their menus
but serve raw meat uncharted.
Caramel burned points of grief
get stuck between bones,
sticky sweet sickening drones.
Chants of discus plates chip fresh
green grass, leaving bare
earth bleeding.
Category Archives: Poetry
Night Flower
The pale cirrus flower glows by night
under a platinum moon. It shines
as my sleepless sighs exhale anguished air
across its feathered wings, fluttering
grief over the evaporated dream of your love.
Briefly, the ghostly bloom grows a follicle
filled with fresh pomegranate juice,
whose ripe, succulent, mouthwatering
kisses fade in dawn’s cool light.
Garden of Growth, II
Upon revisiting and revising this poem, I noticed how much its message applies to life in general. As I age and hopefully grow wiser, I am learning that letting go of habits is not only vital to happiness. It’s also vital to learning and to growing as a person. I’ve recently started studying Alexander Technique, which I will write about more soon. One of the basic lessons of the method is to let go of the tension in the neck and stay open in your awareness. This is harder to do than one might think. Alexander called it Primary Control. I like to think of it as Primary Flow. Let each second go as it happens. Repeat. Rather than creating a superficial life, this idea allows one to experience the richness of the moment much more deeply.
The seeds emerge naked from gray, rough soil,
though most will perish as grist of earth’s scheme.
Their compost holds kernels of mealy toil,
micro teams, tiny mules carrying molecule dreams.
This war marches on. The drama rolls fresh
with each rising and falling of seasonal flesh.I used to gently cradle those leafy twigs,
pining within their rhythmical trance.
I fiddled and darted, lost and ready
to control that volume of verdant folly.
I toiled from dawn to dusk to cage this romance.
I staked stems, preened buds,
willed red berries on holly’s branches.
I beamed with delight at delphiniums blue night
but daily squished aphids with horrible fright.
Hinoki’s form would finally reach balance,
necessitating tragic hacking of nearby Hamamelis.
Trailing Nasturtium must ramble freely
over carefully chaotic, mossy patio.
Cardinal Richelieu finally gave up the ghost
after five uprootings to aptly pair
his wine purple rose with more heathen hosts.I strove to capture kairos*, embed its seething flair.
This chimera dwindled with thousands of hours
of pushing days in a stubborn wheelbarrow,
driving my load to pattern and style this living
sculpture into rank and file soldiers of my lair.
Time ground me down with its meticulous power.As I feared, things went wild. They flattened
and ruptured and cheated my rules.
The Lungwort blasted forth, had its own way
and colonized insouciantly with its spotted tribe.
Autumn Clematis scrambled over trellises
and basked in the sun, surveying the fool’s
game down below, laughing at all the fun.Then, tough rubric knots let loose their tether
as my life became twinned by other urgent events.
Watching from afar, the garden seemed closer than before.
And Plumbago’s happy scurry beneath
pink Asters fence seemed their own private
dispute, their outcome to pass sentence.Five years have passed since I relinquished power.
Ten years before that I clutched at this stream
while its crumbled message sifted through my fingers.
From my rough hubris sprouted this quiet lesson:
The constancy of change remains new for the ages.
I come away sage, having learned not to confuse
dreams of perfection with nature’s carnival muse.
*From Wikipedia- Kairos is an ancient Greek word meaning the "right or opportune moment". It is now used in theology to describe the qualitative form of time. In rhetoric kairos is "a passing instant when an opening appears which must be driven through with force if success is to be achieved." (E. C. White, Kaironomia p. 13)
Ode to a Quilt
I’ve collected quilts for about 5 years. My dear friend Joe is my dealer. Sometimes I playfully refer to him as my drug dealer, because quilts are so addictive.
All the quilts I own are antiques, dating from 1830’s to the 1950’s. Most of them date from the end of the 19th century. Think about it; Unique folk art over a hundred years old with amazing artistic design hangs all over my house. To boot, they were made by women who lived during times when women got little credit for anything but baby making and housework.
The utilitarian nature of quilts adds to their richness. They are made to be used. Their makers didn’t need to trouble themselves with design. But they did. So the artistic inspiration embodied in these quilts is pure. These are noncommercial works of folk art. Their beauty was purely for the pleasure of the maker. Although pleasure is not the best word to describe this labor.
I am quite sure these women did not have time to spare for pleasure. Life in the late 1800’s was not luxurious for most people. I can image a women with a house full of children, working long hours cooking, cleaning, making clothes, washing clothes by hand, tending to a kitchen garden, perhaps tending to farm animals, and many other tasks, before having some time to hand stitch parts of a quilt.
Yet they did it. Each quilt contains that history, that labor, and those women’s hard-won “flights of fancy” in its cloth. The result is more than folkart. An unmistakable spiritual quality resonates in many of them.
Ode to a Quilt
Textile Bach-
stitched counterpoint
structured freedom.
Alert before you
rising up to your call,
yet yielding supplely
with a ripple.
Nexus of particulars:
a culture
a function
a person
(art)
A “herstory”
carved out of scraps, recycled
moments sewn together
with devotion and care
by chapped, aching hands
under dull candle’s sight.
Subtle joyous rapture
corralled by tradition.
As much a mirror
(reflection of a world within)
as a style of one.
(you with no sin)
Gravitas of conviction.
Smoldering
Jiggling
Vibrating
Swirling with
primal weight, hypnotic concision.
She recedes silently
with days fading light
then, later
twinkles nocturnally
with comfort and warmth.
Calling.
Aware.
See her yarn?
Familiar, now new.
Radiating
Strength
Stability
(softness)
Depth.
such rich modesty
such crystalline grace
a percolating prism of possibility.
technorati tags- quilts, American quilts, antique quilts, American folkart
Laughter
Outside, I hear the gay laughter of youth.
They laugh at anything.
They laugh freely.
The humid air resonates
with their bellicose mirth.
Laughter soothes a need…
the need to…burst with pleasure.
Perhaps they flee something,
maybe life.
They live lighter, laughing.
When the world turns inside out,
laughter remains.
One must really look.
One must really listen,
but it’s there.
It’s a quality of life which always exists,
but you must find it
in yourself.
The red bellies jiggle
against the white emptiness.
I wrote this poem many years ago, around age 19, while at a summer music “camp” in Nice, France. Not a bad place to practice! They were productive summers. (I went twice) I practiced. But I also spent many hours on the beach, and many hours in cafés, speaking broken French with my french friends, who spoke broken English. I’m sure we solved all the worlds problems, if I could only remember how. I love the creative beauty of the language and culture of France.
I also translated the poem, since I studied French while there. But I won’t bore you with that.
I remember the fields of lavender, one of the main scents in french perfume. I remember the late night pizzas in crowded outdoor restaurants along pedestrian shopping areas. I remember the Nice and Cannes jazz festivals, where I snuck in to hear Ella Fitzgerald, Buddy Rich, Stephan Grapelli, among others.
For some reason, I got to visit heaven early in life.