Warm colors not from outside

Outside, the garden’s disarray reflects his own spirit.
He gazes beyond today’s errie political mendacity,
attempting to follow the message of Thanksgiving.
The season’s story asks with answers and gives questions.
For now, nature’s bounty has shriveled to dry, itchy skins.
The joyous noise has ended, the guests all departed.
Remnants linger.

A hickory smoked ham carcass bears the scarred record
of hungry hands which sliced morsels into salivating mouths,
a thankful sharing of sustenance. Pillows and wool blankets,
suddenly cold, lie folded neatly near the futon bed,
which is now restored to its day job as a couch. No evidence remains
of the two cuddle snuggets which giggled there the night before.
Nor any more tinkling sounds of little doggy tags prancing
round Mom’s legs, skirting all arms but hers, bonded in devotion
to her care alone, with angelic innocence, golden halo. Glittering,
smiling eyes have gone. Squeaky floors are mute. Missing Espresso,
sounds and smells are silent. The cacophony of stuffed hours
has floated away. Surrendering to the moment was easy
with three conversations bubbling for attention all at once.
Happy consociates huddled around mini-decisions,
who wants to go on a walk, when it’s nap time. Ah, nap time.
Torpor weighed in after all. Events happened, with no one bearing
singular responsibility. A snack or a nap or a laugh was shared.
Familiarity insulated us from the cold, strange world
beyond the glass windows. The den bustled with clusters
of happy commotion.

Alone now in his newly painted great
room, his mood is comforted by the warm colors, gold, orange,
deep burgundy purple. That was the idea. The gray day surrounds
us all in our pools of warm light. The garden beckons
with the answer to this sweet emptiness.
Pick up where you are and tuck away these memories
for a long winter’s night.

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Hummingbird by Wilco

Hummingbird by Wilco (Jeff Tweedy songwriter)

his goal in life was to be an echo
riding alone, town after town, toll after toll
a fixed bayonet through the great southwest
to forget her
she appears
in his dreams
but in his car, and in his arms
a dream could mean anything
a cheap sunset on a television set could upset her
but he never could
remember to remember me
standing still in your past
floating fast like a hummingbird
his goal in life was to be an echo
the type of sound that floats around
and then back down like a feather
but in the deep chrome canyons of the loudest Manhattans
no one could hear him
or anything
so he slept, on a mountain
in a sleeping bag underneath the stars,
he would lie awake and count them
but the great fountain spray of the great Milky Way
would never let him
die alone
remember to remember me
standing still in your past
floating fast like a hummingbird
remember to remember me
standing still in your past
floating fast like a hummingbird
a hummingbird
a hummingbird

Siegfried Idyll

Riesling Grapes, Siegfried Idyll
Go and be the breeze
whispering over grassy
silk waves atop verdant,
elegant hills. Rest there
among the familiar tales
of sun ripe Riesling grapes
pearled along the plunging slopes
of castle views over river Rhine.
Go and taste the resilience
of Teutonic history, rising
and falling against the maelstrom
of Viking invaders. Go and
rebuild from scratch what you
know is good and right. Dwell in
the fecund soil of steady passion.
Find skin by the wind.
Find fruit in your heart.
Taste the lambent anodyne
smiling through
sweet, golden wine.

This goes out to my crushes. You know who you are.

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Rhythms of the Seasons

Enjoy! And best wishes for a joyous holiday to you all!

machine of faith

The rhythms of the seasons hypnotize us
as they go ’round and ’round and ’round,
faster each year as we age,
building to some distant, palpable climax
while receding from another, past.
Faster they spin, compelling us to fill fragile days
with meaningful events,
(love may deepen,
hate grow brittle,
poetry more necessary)

To and fro, light to dark, the pendulum swings
stupendously, irrevocable across the map, throbbing
in every molecule with its unabashed preponderance.
No sooner sweet Summer arrives in her full sensual glory
and vapid dissipation, then by the slightest incline,
the longest day tipped, we star the slow, poignant slide
to the depths of Winter.

Thus we arrive again at this valley of Yin,
whose darkness and gravity turns us inward
to our sweetest, softest, most delicate
center.

As if by sheer will (and hope and need)
we nudge the gyration back toward light,
we indulge in glitter and compassion.
We reward love needed and given
with earnest countenance.
We search our souls for cheerful ways
to decorate the days.
We celebrate the counterpoint of our lives,
barely pausing to reflect
over the abyss which lies beneath
the fragile music we make.

The photo is of a small section of a large, useless, tinkling, colorful machine. It was built over a period of 25 years or so, part by bit, by a man who made it just for fun, and for his children’s entertainment. Now it’s an obscure tourist attraction. It’s housed in a little hut, perhaps 20 ft by 15 ft in the middle of nowhere, next to his house, where his wife still lives. I think he was a farmer. He used found objects and toys and trash, whatever caught his eye. It all fits together in some way. When turned on, the whole thing whirs and clicks and clangs and flashes. Being in the middle of Bavaria, it was normal and appropriate to find a crucifix perched in the middle somewhere.

There is something comforting about this scene, which is almost alter-like. The colorful chaos and glitz surrounds the peaceful icon. Sorry it’s the wrong icon for the season, but I sort of like the twisted irony of it.

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Writing a Poem

I see the shapeshifting reality bulge
around the illusory hibiscus I could never match.
Veils of words needs constant shattering
to lighten thick, moldy layers of thatch.

My heartbeats come forth, secretly billowing,
burning new myths from a crimson flower.
I can’t help but lose myself, drowning,
reborn in this burgeoning, transformative power.

Staying open is toughest, free falling and bare
naked and hanging, having dropped from the sky.
Then the petaled plate tells me with it’s one eyed glare
to listen and watch, with laser focus, and try

To write these gossamer sheets of implausible power,
wispy, tenuous wings, burgundy eyefuls of red meat.
I tally this time to sit and stare, hour to hour
and find it’s telling me to just sit, watch and be complete.

I wrote this on a challenge to create on the spot from Jessamyn on her post, Sunday Scaffolding.