Warm colors not from outside

Outside, the garden’s disarray reflects his own spirit.
He gazes beyond today’s errie political mendacity,
attempting to follow the message of Thanksgiving.
The season’s story asks with answers and gives questions.
For now, nature’s bounty has shriveled to dry, itchy skins.
The joyous noise has ended, the guests all departed.
Remnants linger.

A hickory smoked ham carcass bears the scarred record
of hungry hands which sliced morsels into salivating mouths,
a thankful sharing of sustenance. Pillows and wool blankets,
suddenly cold, lie folded neatly near the futon bed,
which is now restored to its day job as a couch. No evidence remains
of the two cuddle snuggets which giggled there the night before.
Nor any more tinkling sounds of little doggy tags prancing
round Mom’s legs, skirting all arms but hers, bonded in devotion
to her care alone, with angelic innocence, golden halo. Glittering,
smiling eyes have gone. Squeaky floors are mute. Missing Espresso,
sounds and smells are silent. The cacophony of stuffed hours
has floated away. Surrendering to the moment was easy
with three conversations bubbling for attention all at once.
Happy consociates huddled around mini-decisions,
who wants to go on a walk, when it’s nap time. Ah, nap time.
Torpor weighed in after all. Events happened, with no one bearing
singular responsibility. A snack or a nap or a laugh was shared.
Familiarity insulated us from the cold, strange world
beyond the glass windows. The den bustled with clusters
of happy commotion.

Alone now in his newly painted great
room, his mood is comforted by the warm colors, gold, orange,
deep burgundy purple. That was the idea. The gray day surrounds
us all in our pools of warm light. The garden beckons
with the answer to this sweet emptiness.
Pick up where you are and tuck away these memories
for a long winter’s night.

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Places Too Close

Rusty Train Car
There are places he’d rather not go,
closets where clothes are too tight,
pants with belt buckles which still latch
to the shortest length, but now
he can’t hold his breath that long
anymore. He wants to be padded with
Pillsbury dough, something to grab
when hands are available to grope
his half century folds of skin
dessicated and pinched from too much sin.
His big heart chokes the tight collar.
He feels safer in the puppet theater, where
the extra strings keep him from floating
away from so much hot air.
Watch him standing in the sun, waiting
alone for the train north, not willing
to make eye contact for long.
Smile and lift him without saying
a word.

I wrote this after seeing the movie ‘Into the Wild’ by Sean Penn. The poem is not so much about the movie as how I related to it. It’s about frustration with social artifice and the strictures of decorum, within which one wonders how much real love and spontaneous feeling is lost. It’s about feeling limited by discomfort in that system and also about wanting to just fit in and be one’s self.

Tone of Mind

I couldn’t let go
of the desire to feel
something intense
anger at injustice or
anger at not doing what I should,
using that intensity as the drug,
to hang my hat on that knobby stud,
while really immobilized by fear
of being inadequate.
Stuck in the spider net
which won’t let go,
won’t let go.
But which really won’t let go?
the web or me?

I couldn’t get my
mind around
the carnal openness,
the magnetic freedom
from the known,
the rawness,
the rage,
starting there
and opening more
to the size of suns
burning the rage
to a diamond core.

We cannot live in blame.
It is false fuel.
We must change our
inflection
from the screech
of accusative addiction
to a longer melody,
a catchy strain,
a tune hummed
inside heads
while standing in line
to buy daily bread,
a smiling tune
of forgiving harmony
to carry all counterpoints
with heartfelt sundry,
a Beethoven’s Ninth
to warm us against
the cold heart of hate.

I look for a tune to soften
the tone of the mind.

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Rhythms of the Seasons

The rhythms of the season hypnotize us
as they go ’round and ’round and ’round,
faster each year as we age,
building to some distant, palpable climax
while receding from another, ancient past.

Faster they spin, compelling us to fill fleeting days
with meaningful events.
(love may deepen,
hate grow brittle,
poetry more necessary)

To and fro, light to dark, the pendulum swings
stupendously, irrevocable across the map, throbbing
in every molecule with its unabashed preponderance.

No sooner sweet Summer arrives
in her full sensual glory
and vapid dissipation,
then be the slightest incline, the longest day tipped,
we start the slow, poignant slide
to the depths of
Winter.
Thus we arrive again at this valley
of Yin,
whose darkness and gravity turns us inward
to our sweetest, softest, most delicate
center.

As if by sheer will (and hope and need)
we nudge the gyration
back toward light,
we indulge in glitter and compassion.
We reward love needed and given
with earnest countenance.
We search our souls for cheerful ways
to decorate the days.
We celebrate the counterpoints of our lives,
barely pausing to reflect
over the abyss which lies beneath
the fragile music we make.

This was one of Barbara’s favorite of my poems.

Torn Scraps

Torn strips of silk flutter
in a light breeze, ’cause
someone left the freezer open
while scrounging late at night
for ice cream, shuffling the Samba
in a sprouted pink Teri-Cloth robe.
Cha cha cha, the lone curled figure
danced to scraps of dreams,
skin peels, Ephedra tonics, red satin
chiffon dresses, with a black lace slip
underneath, just in case.
The papers promised fame,
tuxedoed men lined the stage,
careful not to give names. But
floodlights fizzled, headlines
blurred with spilled champagne,
scratched records became static.
Muffled jazz could almost be heard
as the cold, dry air sifted
past the smiling face glowing
in the spotlight
while ice crackled
impatiently in the background.