Jewels in the Sky

Autumn LeavesGlistening jewels coat
the tips of trees
which light the skies
with lofty ease.
Priceless Rubies, Topaz stones,
and Mandarin Garnets
in orange tones.

Each will be sold in silent bidding
with votes harnessed
from a passing crowd
of wide, uplifted eyes
whose currency, only fitting,
is to be pleased-
sometimes out loud!

Later these gems
whose fiery flames
burned without heat
and singed none but their stems,
these dazzling comets
will fade and fall
down to earthly feet
whose toes will curl
deep into the ground
and stoke the coals
for next years round.

Mandarin Garnet
A Mardarin Garnet.

For Barbara, until we meet again.

This beautiful eulogy was written by my housemate, Joseph, who was quickly becoming friends with Barbara.

How can you.
In spring.
At Easter.
Was it Good Friday, Barbara?
Will you rise again the third day?
Master, had you been here, my brother had not died.
Had I heard the phone ring
Had I heard the phone ring
We were going to color easter eggs
Maureen Beth Katrina Me
and Barbara
Saturday we were going to color Easter Eggs.
Have a jolly old time.
Make new friends
Have a jolly old time
For easter, for spring
For rebirth.
If a man die, can he live again?
Barbara.
Beth had bronchitis.
Maureen had to rush to help a friend.
Sorry, no easter eggs.
Sorry Barbara.
Sorry.
Sorry.
I called, left a message
Sorry, no easter eggs
No celebration of rebirth
Later, I’m sure, sometime. Hope you’re well.
Click.
You called. No one heard the phone ring.
Was the blade in your hand when you called?
No one heard you call.
No one heard you calling
No one heard.
If if if if. If only. If.
No one caught you.
Could I catch you? Could anyone?
You looked into me:
Hungry eyes, longing eyes, I held your eyes as long as I could
Barbara.
I’m not Gabriel.
I have no silver trumpet.
I cannot hold your soul
Slipping slipping slipping away.
How could you
In spring.
The roses will bloom, Barbara.
How will they bloom, knowing you are not there?
Will they not blacken, a sudden blight
turn your yard to mourning?
No, Spring will come
Roses bloom.
They whisper: For roses know. For roses know.
Roses, trees, they have come, they see:
Human lives burning light bright flames
Little lights burning burning burning
The roses know,
They dance, they hold her
Her suffering soul nestled in their velveted petals.
The roses know
Sorrow. They hold deep in their dark velvet heart
The roses know
Roses know it is spring.
Roses wear thorns and wrap themselves in velvet
Velvet: dipped in blood.
We pruned your roses together.
Cut out the dead
Cut out the old and useless and overgrown.
Cut back to the fresh, bleeding green of life
Cut it back.
For it is spring. Time.
Time to: Let death go
The soil whispers of dead things falling to the ground
Dead things: slipping apart to feed
New glowing green rising from the soil
It is spring. Let us whisper: rebirth.

Rhythms of the Seasons

Enjoy! And best wishes for a joyous holiday to you all!

machine of faith

The rhythms of the seasons hypnotize us
as they go ’round and ’round and ’round,
faster each year as we age,
building to some distant, palpable climax
while receding from another, past.
Faster they spin, compelling us to fill fragile days
with meaningful events,
(love may deepen,
hate grow brittle,
poetry more necessary)

To and fro, light to dark, the pendulum swings
stupendously, irrevocable across the map, throbbing
in every molecule with its unabashed preponderance.
No sooner sweet Summer arrives in her full sensual glory
and vapid dissipation, then by the slightest incline,
the longest day tipped, we star the slow, poignant slide
to the depths of Winter.

Thus we arrive again at this valley of Yin,
whose darkness and gravity turns us inward
to our sweetest, softest, most delicate
center.

As if by sheer will (and hope and need)
we nudge the gyration back toward light,
we indulge in glitter and compassion.
We reward love needed and given
with earnest countenance.
We search our souls for cheerful ways
to decorate the days.
We celebrate the counterpoint of our lives,
barely pausing to reflect
over the abyss which lies beneath
the fragile music we make.

The photo is of a small section of a large, useless, tinkling, colorful machine. It was built over a period of 25 years or so, part by bit, by a man who made it just for fun, and for his children’s entertainment. Now it’s an obscure tourist attraction. It’s housed in a little hut, perhaps 20 ft by 15 ft in the middle of nowhere, next to his house, where his wife still lives. I think he was a farmer. He used found objects and toys and trash, whatever caught his eye. It all fits together in some way. When turned on, the whole thing whirs and clicks and clangs and flashes. Being in the middle of Bavaria, it was normal and appropriate to find a crucifix perched in the middle somewhere.

There is something comforting about this scene, which is almost alter-like. The colorful chaos and glitz surrounds the peaceful icon. Sorry it’s the wrong icon for the season, but I sort of like the twisted irony of it.

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Rhythms of the Seasons

The rhythms of the season hypnotize us
as they go ’round and ’round and ’round,
faster each year as we age,
building to some distant, palpable climax
while receding from another, ancient past.

Faster they spin, compelling us to fill fleeting days
with meaningful events.
(love may deepen,
hate grow brittle,
poetry more necessary)

To and fro, light to dark, the pendulum swings
stupendously, irrevocable across the map, throbbing
in every molecule with its unabashed preponderance.

No sooner sweet Summer arrives
in her full sensual glory
and vapid dissipation,
then be the slightest incline, the longest day tipped,
we start the slow, poignant slide
to the depths of
Winter.
Thus we arrive again at this valley
of Yin,
whose darkness and gravity turns us inward
to our sweetest, softest, most delicate
center.

As if by sheer will (and hope and need)
we nudge the gyration
back toward light,
we indulge in glitter and compassion.
We reward love needed and given
with earnest countenance.
We search our souls for cheerful ways
to decorate the days.
We celebrate the counterpoints of our lives,
barely pausing to reflect
over the abyss which lies beneath
the fragile music we make.

This was one of Barbara’s favorite of my poems.

Let

Cat Asleep on Rug

Ineffable Present
careening, seething,
(gelatinous collision of
past and future)
Universe breathing.

Mute Mother
(whispering) (yes),
perilous fusion
resonating us.
There is no choice
but to give in
to terrifying

Bliss (consciousness).

Honor the seed, the flower,
the book, the hour
(and the subtle, singing space between)
Forgive as you go.
Let rest
all this.

This is another “everything” poem. I seem to yearn for the big picture, wouldn’t you say? Anyway, I’ll be away a few weeks, driving East in my new (’01) Volvo S60 T5, floating along the highway with Mahler or Sedaris or Steve Reich blasting. I’ll hike in the Adirondacks, then see a friend’s family in Vermont, then visit my father on the Cape, then attend and play at my second cousins wedding, then visit with my mother a week, then back here. Let’s just hope I really like my car after nearly 2000 miles in two weeks!