Thanksgiving Poem

Thanksgiving Poem, loaf of breadThis poem was written by my partner and lover of 9 years, Ralf. Though english is not his first language, he always had a way with words. (he is German) His spirit taught me so much about attitude and perseverance. He is an old soul. Though we are no longer together, I believe we still have a connection. I am honored and gratified to have been his lover. Thank you, Ralf. With love, David

Happy Thanksgiving to all my friends out there. I hope you have warm, smiling eyes to gaze into and laugh with as you break bread together on this most universal of holidays.

Thanksgiving is a moment to remember
How little we can do to move the stars.
All we are and have we must surrender,
Nor is Earth less inscrutable than Mars.
Knowing this, we know the need for friends
Sharing both our pleasures and our pain,
Giving, though it may not serve their ends,
In joy the love that will our love sustain.
Very much like water in a lake,
In sum we serve as mirrors to the sky.
No one alone can heaven’s picture take.
Given friends, we know the reason why.

by Ralf

Places Too Close

Rusty Train Car
There are places he’d rather not go,
closets where clothes are too tight,
pants with belt buckles which still latch
to the shortest length, but now
he can’t hold his breath that long
anymore. He wants to be padded with
Pillsbury dough, something to grab
when hands are available to grope
his half century folds of skin
dessicated and pinched from too much sin.
His big heart chokes the tight collar.
He feels safer in the puppet theater, where
the extra strings keep him from floating
away from so much hot air.
Watch him standing in the sun, waiting
alone for the train north, not willing
to make eye contact for long.
Smile and lift him without saying
a word.

I wrote this after seeing the movie ‘Into the Wild’ by Sean Penn. The poem is not so much about the movie as how I related to it. It’s about frustration with social artifice and the strictures of decorum, within which one wonders how much real love and spontaneous feeling is lost. It’s about feeling limited by discomfort in that system and also about wanting to just fit in and be one’s self.

The Drummer by the Sea

A drummer sits by the sea
        listening to the hollow, holy undulation
of his mother’s clock
breathing against his face, his heart-
beating a different rhythm, a
        syncopation, a duet.
He calls to her and
she answers.
        She answers as he calls; he listens
to his own voice in the waves, her
rhythm,
his heartbeat, their duet…
the drummer hears
a whisper inside his ear,
(He took his inner voice to be
                           Hers.)
"Why," s’he said, "do I feel so lonely?
We haven’t been together in a long time.
Why, in order to be together
must we first be apart?"
S’he listened and heard and relaxed and
came together and came apart: together, apart.
S’he felt the swelling of their breath,
rising, falling, like the waves on the beach,
like the rising and falling of
their body,
the air,
the day,
the night,
and their rhythms;
soothing,
drumming beats,
of the sea, of the waves,
the waves and the foam,
and the crunchy, cool sand
and their feet titillated by it,
on it, off it, on, off.
billions of grains, ancient mountains,
crumbled empires,
fallen spires,
and the timeless sea, giver and taker,
and the dark lurkings underneath,
fear giving breath to joy.

Another Year

This poem was written by my grandfather on my father’s side, the Welsh side. He was a coal miner in Wales until the age of 21, when he asked his beloved to marry him, then shipped off to the land of opportunity. The year was 1921.
grampop Thomas, 1921
He forged an impressive career in the US, working his way up the ranks of a fairly large shipping business in Philadelphia. He eventually became chief engineer. He was a wizard at building things. He often made toys for me and my sister. During the last decade of his life, he was king of the retirement community’s workshop; he had to instruct others in the use of the lathe, a complex and delicate wood cutting instrument. I still have numerous finely lathed lamps around my house.

His charming Welsh accent never left him. He always had a smile on his face and a joke to tell. I don’t know now many times he asked me “So, are you going to become a genius… (which he pronounced geniASS with emphasis on the Ass!)”

He sang in choirs all through his life. He is the reason my mother was able to continue her musical career after marrying my father. He is one of the reasons, indirectly, why I am a musician, along with my sister.

He often wrote beautiful, poem like notes to us. This poem was probably written in the early 1980’s. He was a gentle, upstanding American citizen. He died in 1985.

Another year has reached an end.
‘Tis Christmas time in gray December
With thoughts of giving, as we spend,
of bad times past we rare remember.

Throughout the world a spell is cast
And thoughts of love and peace takes hold.
As we hear again as in the the past
The greatest story ever told.

True, greed and hate will still abound.
In hardened hearts who have no creed.
They specialize the year around
Using God to state their greed.

But thanks to Him, a son was born,
And Father, son and Holy Ghost,
Though many laugh and many scorn
The spirit of God is worth the most.

The atom bomb, the power of man
To most of us, has caused much fear.
These threats of hate, since they began
Have plagued us all the year.

But bombs and threats have gone to pot.
The day of days is here again.
When the power of man is soon forgot
And the King of Kings, once more will reign.

The yearly log will close with cheer,
Another chapter in life’s great tome.
a merry Christmas and a Happy New Year
I hope you have one in your home.

Ode to a Quilt

I’ve collected quilts for about 5 years. My dear friend Joe is my dealer. Sometimes I playfully refer to him as my drug dealer, because quilts are so addictive.

All the quilts I own are antiques, dating from 1830’s to the 1950’s. Most of them date from the end of the 19th century. Think about it; Unique folk art over a hundred years old with amazing artistic design hangs all over my house. To boot, they were made by women who lived during times when women got little credit for anything but baby making and housework.

The utilitarian nature of quilts adds to their richness. They are made to be used. Their makers didn’t need to trouble themselves with design. But they did. So the artistic inspiration embodied in these quilts is pure. These are noncommercial works of folk art. Their beauty was purely for the pleasure of the maker. Although pleasure is not the best word to describe this labor.

I am quite sure these women did not have time to spare for pleasure. Life in the late 1800’s was not luxurious for most people. I can image a women with a house full of children, working long hours cooking, cleaning, making clothes, washing clothes by hand, tending to a kitchen garden, perhaps tending to farm animals, and many other tasks, before having some time to hand stitch parts of a quilt.

Yet they did it. Each quilt contains that history, that labor, and those women’s hard-won “flights of fancy” in its cloth. The result is more than folkart. An unmistakable spiritual quality resonates in many of them.

1890's logcabin, light and dark

Ode to a Quilt

Textile Bach-
stitched counterpoint
structured freedom.
Alert before you
rising up to your call,
yet yielding supplely
with a ripple.

Nexus of particulars:
a culture
a function
a person
(art)
A “herstory”
carved out of scraps, recycled
moments sewn together
with devotion and care
by chapped, aching hands
under dull candle’s sight.

Subtle joyous rapture
corralled by tradition.
As much a mirror
(reflection of a world within)
as a style of one.
(you with no sin)
Gravitas of conviction.
Smoldering
Jiggling
Vibrating
Swirling with
primal weight, hypnotic concision.
She recedes silently
with days fading light
then, later
twinkles nocturnally
with comfort and warmth.
Calling.
Aware.
See her yarn?
Familiar, now new.
Radiating
Strength
Stability
(softness)
Depth.

such rich modesty
such crystalline grace
a percolating prism of possibility.

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