times

…times we fall through
moldy, scratchy thatch
to stiff, pine planks,
losing memory, stones
and sonnets. forgetting.

There is a strange emptiness I often feel at the first day of cool stillness in Fall. Today is overcast. The wet air leaches warmth, persistent in its chill. Persistent and immobile. It is here to stay, moving in. Memories of languid, long, endless Summer days float just beyond reach. The reality of suffering in the South is no dream, however. Their’s is aching, palpable emptiness, loss. They have no luxury of daydreams.

Yet this calm chill comforts me, reminds me all things change. It is time to recharge, request a new sheet, a clean slate. Time to move on, shift gears. Let Summer memories become the dreams they now are. Let tragedy’s lessons sink in, brand their mark on memory.

The garden outside my window is still rich with green textures. The long, fragrant, golden trumpets of Brugmansia herald (and hope for) a few more sunny weeks to come. All is not lost. But never the same.

At work I am having to work closely with those in power and money, the trustees who support my orchestra, but also control it. I used to assume they were automatically corrupted by their power, but I’m beginning to see their genuine interest in my art, in the success of my orchestra, even though I may not always agree with them. They know things about money and success I cannot know from my position. They have experience we can use. Our orchestra needs them, whether we like it or not. It’s never black and white.

Thinking of events in the world, in the US, my country, I feel frisky with a new kind of hope. The suffering of millions in the South will not be in vain. Our eyes are open. We see the chilly, calculating responses of our current administration, which seems to be more of a power machine than human leadership. And we also see the fervent, human response, the support given by millions; human responses, neither conservative nor liberal, just human. We see each other’s hearts, that we are not so different as we thought. We see where we could go if we came together to solve problems.

Our enemies are not each other. They are the power systems which corrupt and mislead. We cannot afford to be mislead. We only have each other. We only have each other and one small planet.

The chilly air settles into my bones. It’s time for action, for change. Especially since I’m late for work.

House of Trust

If trust is our house, then why am I lost
wandering in circles, unable to see?
I know you’re in there, waiting for us
sitting alone on that bench, wondering its cost.
But I can’t find my entrance, let alone the key.

I think I’ve been in there, warm by your fire.
Flickering light held me, mauve drapes closed us in.
I felt safe in your arms, restless soul was laid fallow.
Now I’m untethered and wet, slogging through mire.
If only I could find my way back to that comfortable skin.

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Garden of Growth

The seeds grow in gray, rough soil.
Most will perish in fruitless toils.
Their compost holds kernels of mealy progress,
micro machines, tiny books of dreams
to clothe tender roots, trichomes,
which suckle death’s fruits to renew and redeem,
to claim their stake of beauty, or weedy nonchalance.
This war marches on and the drama rolls dreamy
each rising and falling in a seasonal dance.
I used to cradle those leafy twigs,
laughing and crying at their rhythmical trance.
I fiddled and darted, lost and ready
to control that volume of verdant folly.
Never did I stop to see
nature would have its way with me.
I staked stems, preened buds, willed red berries on holly.
I coveted and thrashed, sprayed and mulched,
beamed with delight at delphiniums blue night
but daily squished aphids with no melancholy.
I toiled from dawn to dusk to clutch this magic.
The branches of Hinoki would finally reach an archetype,
which deemed necessary the scene be balanced
by the tragic hacking of nearby Hamamelis.
Miscanthus had to clump here, always just so.
Trailing Nasturtium must ramble freely
over carefully chaotic, moss tufted patio.
Cardinal Richelieu finally gave up the ghost
after five uprootings, a necessary evil to aptly pair
his wine purple rose with more heathen hosts.
Temporary solutions were compulsive conditions
to conquer the moment, cling to its passing.
My love for the machine was a frivolous desire
for mighty dominance, a narcissistic persistence
to reign with sturdy diligence over ancient fires.
This chimera dwindled with thousands of hours
of pushing days in a stubborn wheelbarrow,
driving my load to pattern and style this living sculpture.
Time ground me down in its meticulous way.
My back and a bad hip took the fun from the play.
As I feared, things went wild, they flattened
and ruptured, and cheated my rules.
The Lungwort took advantage
and had its way, finding time to mat and
colonizing a corner with spotted progeny.
At first I complained and planned my revenge
taking solace in winter’s clutch of frozen sheath.
Then, tough rubric knots let loose their tether
as my life became twinned by other events,
and the Plumbago’s happy rush beneath
pink Asters fence seemed their own private
dispute, their outcome, their worry.
I grew accustomed to this unkempt gloss
as the garden grew daring and shone a soft gleam.
Now that I merely watch this scene from afar,
I am more in it than I was before
as roots can grow deeper and top more secure.
Five years have passed since I relinquished power.
Ten years before that I clutched at this stream
while its crumbled message flowed through my fingers.
These quiet stories have matured with age
and their gravitas draws my eyes to wonder
at authority I could never imagine,
from my hubris grew this quiet lesson.
The constance of change has more than one page.
I come away sage, having learned not to confuse
dreams of perfection with nature’s carnival muse.

A few days ago I promised a report on how my garden defines me. It turned into this.

I would like to dedicate this to my father, Francis Hugh, whose ripening wisdom grows regal with age. He turned 78 on September 26 while I managed to miss that important date. I sent him a card saying if age is a contest, he’s winning.
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Another Year

This poem was written by my grandfather on my father’s side, the Welsh side. He was a coal miner in Wales until the age of 21, when he asked his beloved to marry him, then shipped off to the land of opportunity. The year was 1921.
grampop Thomas, 1921
He forged an impressive career in the US, working his way up the ranks of a fairly large shipping business in Philadelphia. He eventually became chief engineer. He was a wizard at building things. He often made toys for me and my sister. During the last decade of his life, he was king of the retirement community’s workshop; he had to instruct others in the use of the lathe, a complex and delicate wood cutting instrument. I still have numerous finely lathed lamps around my house.

His charming Welsh accent never left him. He always had a smile on his face and a joke to tell. I don’t know now many times he asked me “So, are you going to become a genius… (which he pronounced geniASS with emphasis on the Ass!)”

He sang in choirs all through his life. He is the reason my mother was able to continue her musical career after marrying my father. He is one of the reasons, indirectly, why I am a musician, along with my sister.

He often wrote beautiful, poem like notes to us. This poem was probably written in the early 1980’s. He was a gentle, upstanding American citizen. He died in 1985.

Another year has reached an end.
‘Tis Christmas time in gray December
With thoughts of giving, as we spend,
of bad times past we rare remember.

Throughout the world a spell is cast
And thoughts of love and peace takes hold.
As we hear again as in the the past
The greatest story ever told.

True, greed and hate will still abound.
In hardened hearts who have no creed.
They specialize the year around
Using God to state their greed.

But thanks to Him, a son was born,
And Father, son and Holy Ghost,
Though many laugh and many scorn
The spirit of God is worth the most.

The atom bomb, the power of man
To most of us, has caused much fear.
These threats of hate, since they began
Have plagued us all the year.

But bombs and threats have gone to pot.
The day of days is here again.
When the power of man is soon forgot
And the King of Kings, once more will reign.

The yearly log will close with cheer,
Another chapter in life’s great tome.
a merry Christmas and a Happy New Year
I hope you have one in your home.

Garden of Growth, II

Clivia, African Lily

Upon revisiting and revising this poem, I noticed how much its message applies to life in general. As I age and hopefully grow wiser, I am learning that letting go of habits is not only vital to happiness. It’s also vital to learning and to growing as a person. I’ve recently started studying Alexander Technique, which I will write about more soon. One of the basic lessons of the method is to let go of the tension in the neck and stay open in your awareness. This is harder to do than one might think. Alexander called it Primary Control. I like to think of it as Primary Flow. Let each second go as it happens. Repeat. Rather than creating a superficial life, this idea allows one to experience the richness of the moment much more deeply.

The seeds emerge naked from gray, rough soil,
though most will perish as grist of earth’s scheme.
Their compost holds kernels of mealy toil,
micro teams, tiny mules carrying molecule dreams.
This war marches on. The drama rolls fresh
with each rising and falling of seasonal flesh.

I used to gently cradle those leafy twigs,
pining within their rhythmical trance.
I fiddled and darted, lost and ready
to control that volume of verdant folly.
I toiled from dawn to dusk to cage this romance.
I staked stems, preened buds,
willed red berries on holly’s branches.
I beamed with delight at delphiniums blue night
but daily squished aphids with horrible fright.
Hinoki’s form would finally reach balance,
necessitating tragic hacking of nearby Hamamelis.
Trailing Nasturtium must ramble freely
over carefully chaotic, mossy patio.
Cardinal Richelieu finally gave up the ghost
after five uprootings to aptly pair
his wine purple rose with more heathen hosts.

I strove to capture kairos*, embed its seething flair.
This chimera dwindled with thousands of hours
of pushing days in a stubborn wheelbarrow,
driving my load to pattern and style this living
sculpture into rank and file soldiers of my lair.
Time ground me down with its meticulous power.

As I feared, things went wild. They flattened
and ruptured and cheated my rules.
The Lungwort blasted forth, had its own way
and colonized insouciantly with its spotted tribe.
Autumn Clematis scrambled over trellises
and basked in the sun, surveying the fool’s
game down below, laughing at all the fun.

Then, tough rubric knots let loose their tether
as my life became twinned by other urgent events.
Watching from afar, the garden seemed closer than before.
And Plumbago’s happy scurry beneath
pink Asters fence seemed their own private
dispute, their outcome to pass sentence.

Five years have passed since I relinquished power.
Ten years before that I clutched at this stream
while its crumbled message sifted through my fingers.
From my rough hubris sprouted this quiet lesson:
The constancy of change remains new for the ages.
I come away sage, having learned not to confuse
dreams of perfection with nature’s carnival muse.

*From Wikipedia- Kairos is an ancient Greek word meaning the "right or opportune moment". It is now used in theology to describe the qualitative form of time. In rhetoric kairos is "a passing instant when an opening appears which must be driven through with force if success is to be achieved." (E. C. White, Kaironomia p. 13)