times

…times we fall through
moldy, scratchy thatch
to stiff, pine planks,
losing memory, stones
and sonnets. forgetting.
—

There is a strange emptiness I often feel at the first day of cool stillness in Fall. Today is overcast. The wet air leaches warmth, persistent in its chill. Persistent and immobile. It is here to stay, moving in. Memories of languid, long, endless Summer days float just beyond reach. The reality of suffering in the South is no dream, however. Their’s is aching, palpable emptiness, loss. They have no luxury of daydreams.

Yet this calm chill comforts me, reminds me all things change. It is time to recharge, request a new sheet, a clean slate. Time to move on, shift gears. Let Summer memories become the dreams they now are. Let tragedy’s lessons sink in, brand their mark on memory.

The garden outside my window is still rich with green textures. The long, fragrant, golden trumpets of Brugmansia herald (and hope for) a few more sunny weeks to come. All is not lost. But never the same.

At work I am having to work closely with those in power and money, the trustees who support my orchestra, but also control it. I used to assume they were automatically corrupted by their power, but I’m beginning to see their genuine interest in my art, in the success of my orchestra, even though I may not always agree with them. They know things about money and success I cannot know from my position. They have experience we can use. Our orchestra needs them, whether we like it or not. It’s never black and white.

Thinking of events in the world, in the US, my country, I feel frisky with a new kind of hope. The suffering of millions in the South will not be in vain. Our eyes are open. We see the chilly, calculating responses of our current administration, which seems to be more of a power machine than human leadership. And we also see the fervent, human response, the support given by millions; human responses, neither conservative nor liberal, just human. We see each other’s hearts, that we are not so different as we thought. We see where we could go if we came together to solve problems.

Our enemies are not each other. They are the power systems which corrupt and mislead. We cannot afford to be mislead. We only have each other. We only have each other and one small planet.

The chilly air settles into my bones. It’s time for action, for change. Especially since I’m late for work.

No Borders Here

bridge.JPG

Each word defines
a distance
between us-
but also
builds
a bridge
spanning that gulf

I
am just
another side
another word
to mean you

My country
is my soul,
but in my land
and sky
you and I
have no borders

Photo taken in Hocking Hills, OH- near Old Man’s Cave

The Drummer by the Sea

A drummer sits by the sea
        listening to the hollow, holy undulation
of his mother’s clock
breathing against his face, his heart-
beating a different rhythm, a
        syncopation, a duet.
He calls to her and
she answers.
        She answers as he calls; he listens
to his own voice in the waves, her
rhythm,
his heartbeat, their duet…
the drummer hears
a whisper inside his ear,
(He took his inner voice to be
                           Hers.)
"Why," s’he said, "do I feel so lonely?
We haven’t been together in a long time.
Why, in order to be together
must we first be apart?"
S’he listened and heard and relaxed and
came together and came apart: together, apart.
S’he felt the swelling of their breath,
rising, falling, like the waves on the beach,
like the rising and falling of
their body,
the air,
the day,
the night,
and their rhythms;
soothing,
drumming beats,
of the sea, of the waves,
the waves and the foam,
and the crunchy, cool sand
and their feet titillated by it,
on it, off it, on, off.
billions of grains, ancient mountains,
crumbled empires,
fallen spires,
and the timeless sea, giver and taker,
and the dark lurkings underneath,
fear giving breath to joy.

Rhythms of the Seasons

Enjoy! And best wishes for a joyous holiday to you all!

machine of faith

The rhythms of the seasons hypnotize us
as they go ’round and ’round and ’round,
faster each year as we age,
building to some distant, palpable climax
while receding from another, past.
Faster they spin, compelling us to fill fragile days
with meaningful events,
(love may deepen,
hate grow brittle,
poetry more necessary)

To and fro, light to dark, the pendulum swings
stupendously, irrevocable across the map, throbbing
in every molecule with its unabashed preponderance.
No sooner sweet Summer arrives in her full sensual glory
and vapid dissipation, then by the slightest incline,
the longest day tipped, we star the slow, poignant slide
to the depths of Winter.

Thus we arrive again at this valley of Yin,
whose darkness and gravity turns us inward
to our sweetest, softest, most delicate
center.

As if by sheer will (and hope and need)
we nudge the gyration back toward light,
we indulge in glitter and compassion.
We reward love needed and given
with earnest countenance.
We search our souls for cheerful ways
to decorate the days.
We celebrate the counterpoint of our lives,
barely pausing to reflect
over the abyss which lies beneath
the fragile music we make.

The photo is of a small section of a large, useless, tinkling, colorful machine. It was built over a period of 25 years or so, part by bit, by a man who made it just for fun, and for his children’s entertainment. Now it’s an obscure tourist attraction. It’s housed in a little hut, perhaps 20 ft by 15 ft in the middle of nowhere, next to his house, where his wife still lives. I think he was a farmer. He used found objects and toys and trash, whatever caught his eye. It all fits together in some way. When turned on, the whole thing whirs and clicks and clangs and flashes. Being in the middle of Bavaria, it was normal and appropriate to find a crucifix perched in the middle somewhere.

There is something comforting about this scene, which is almost alter-like. The colorful chaos and glitz surrounds the peaceful icon. Sorry it’s the wrong icon for the season, but I sort of like the twisted irony of it.

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Space

no referer
Ghosts
hide among its void. Molecules dance
wide apart in heat, passionate
partners doing do-si-do, passing far between.
In cold they tire and huddle close,
space shut out with little to show.

Silence
parts my words, parsing intent
with punctuated drama,
allowing you to fill
your hopes with the space
of words I utter not.

This is a 55 word poem, inspired by the challenge from English, August blog.

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