Beginnings and Endings

The maturity of man— that means, to have reacquired the seriousness one had as a child at play. F. Nietzsche, Beyond Good and Evil

I wrote the following thoughts in 1987, inspired by the Nietzsche quote. Revisiting them now, I wonder if I’ve lived by them. I try to fill up all the gaps in my life. Why? Mortality. Fear of death. It’s only natural. Yet the original intent of those words still rings within me, muted by doubt, tempered by experience.

The very verbiage with which we play every day, like a child in a sandbox, often reveals shiny objects. But isn’t luster lost with too much handling? And aren’t the shiniest of those mere reflections of light from elsewhere? Yet who would deny the child chasing a butterfly or a star? What of the mother-of-pearl shell we’ve found, taken home, washed and put on the windowsill, then forgotten? What really matters?

The sadness I carry while burying my departed dog is a reflection, another side, of the sweet emotion I use to wet my lover’s lips today. It is the beginning of some end.

The artist alone know the complexity of the blackest black. And only she knows where and how to use it in the shadows of the sunniest painting.

To tattoo our entire body with the greatest symbols of man would not begin to betray the seriousness of the cat sitting by the window watching snow fall. But who watches the cat? Who watches the watcher?

May you love the seriousness which goes beyond Good and Evil.

Nearly 20 years has passed. Almost half my life has been lived in the meantime, done with, finished. Yet endings are continuous, always revealing something new. I face forward.

A few days ago I had a large Bradford pear tree cut down. It was at least 22 years old, pretty old for that kind of tree. The older varieties, of which this was one, were known for splitting at the “crotches” of their many, heavy limbs. Depending on where and how a large branch fell, it could cause severe damage. I had taken measures to support the weaker joints over the years. I had even had the canopy lowered to relieve the top heavy weight.

Luckily this one had not yet split. But a large crack had formed in one of the larger crotches. Besides, I was tired of raking leaves in December, since it held its leaves very late. Its span covered my entire front yard, so its branches were slowly shading to death all the plants beneath its canopy. The time had come.
before tree removal
That tree was there when I bought the house 15 years ago. Now it’s gone. It’s unique and particular branch structure is no more. I thought about how it came from a single seed. For twenty some years it carved its way upward against gravity. It endured heavy winds, ice storms and bitter cold. It was a vigorous tree, covered with white flowers in Spring. In Fall it often glowed with bright yellow to orange leaves. Its branches housed numerous squirrel and bird nests. I had hung several wind chimes in its branches. My cats had climbed it hundreds of times, sharpening their nails on its stout, craggy bark. Most Winters, on a warmish day when I felt a bit of Spring fever, I’d get out the saw and prune its branches. I enjoyed the exercise and feeling of accomplishment. This tree endured many, many prunings. I thank it for its shade, for its vigor, for its life.
Pear tree gone
The day it was cut down, I was tense. Naturally, I feared some kind of accident, damage to my house or my other plants, or perhaps the climber would fall. All went well. Upon seeing the empty space right after it was removed, I felt anxious about having done it. I don’t like cutting down trees. Too many beautiful trees have been removed on my street recently. But I knew I had little choice.

As I stood looking at the open front yard, my neighbor came over and told me she had seen a red tailed hawk circling interestedly over my fron yard within hours of the tree’s disappearance. It seemed a healthy omen from nature. What do you think?

Now my front yard is open for the first time since I’ve lived here, a third of my life. The house, with its rich colors, will be more visible from the street. With more light the ornamental plants around it will now flourish. I can begin to replant the 100’s of crocuses which used to flourish with a burst of rich color in the small lawn area each Spring.

I’m already dreaming about which small, ornamental tree will fill that prime spot in my front yard. The shocking change has inspired me toward gardening for the first time in years. The loss of that pear tree will perhaps mark other new beginnings for me. If I allow myself the childish seriousness Nietzsche wrote of, I can feel it. Change carries both death and life. Endings and Beginnings.

It’s All Good

double wedding ring quilt
This evening I meditated for the first time in awhile. I sat for over an hour in a chilly, dimly lit upstairs room, facing a north window, staring mostly at a desk I hardly use anymore. (especially since I set up this computer facing south in a different room on the first floor) I’m not sure why I meditated now or why I hadn’t for many months. I think I needed to reconcile the distance I feel from blogging, from words, thoughts, ideas. I needed to just experience, clean out.

Years ago I found a source of power in the detachment I learned from focused meditation. (I’m talking 15 years ago.) Detachment freed my fears, allowed me to breathe new air, new life and ideas. I felt free to grow and learn, to improve. Then I began to cling to that feeling, that essence of detachment. I began to mythologize it. And its power quickly faded. I wondered and searched for why it faded. I didn’t have a regular practice and soon “gave up”. (I don’t have a regular practice in anything, except irregularity.)

Sitting tonight, I tumbled with thoughts as I settled my posture to relieve the discomfort it caused. I tried to slow my breathing, which tends to become over excited and then I hyperventilate. I tried to calm my mind. Calming the mind is like trying to calm a restless sea. Doing less is better. So I just let. And let.

And let. The desk before me occasionally revealed itself directly in the swirl of words and images, the monkey mind flitting as a moth in the garden on a summer night. The desk’s wooden structure is as simple, platonic as it gets. Square angles, average proportions, no frills. Utilitarian. Probably oak, or some other hardwood, I’m guessing it was made in the forties of fifties, judging by the deco-ish drawer handles.

The three drawers at the right of a cubby hole for the user’s chair have been stained blackish, perhaps from thousands of touches by human hands. What of the lives of those hands? What of their fate? Did doubt tremble in some? Did sex film those fingers? Chocolate cake? Perhaps this desk was used in a factory office, where soot or other noxious particles permeated the building. Perhaps the lungs which breathed while sitting nearby have expired. Unknown, these possible histories flex in my imagination. What of the forests from which the wood came, each individual tree? And on. All this noticing happens in a second.

I shift my focus to the objects on the desk, which tell tales of my own recent history; a Japanese handmade paper candle shade, decorated with dried flowers within the fibers of the paper. It was given to me by a friend years ago. So simple and timeless and fragile. I consider its value, which soaks beyond its paper structure. Nearby sits is a small ceramic pot to burn fragrant oils. Functional, round, glazed white, it heats a few drops of oil by a candle placed below. Both remind me of past habits, now faded, to practice yoga and meditate here by candle light and (often lung-clogging) oil scented air. A tiny pocket notebook lies open, unused for months now, where ideas for poems or posts were noted. Other objects litter the desktop, adding to its history heap.

This bit of noticing brought me some clarity.

When I notice the ephemeral state of any thought or life, none of this matters. The pain and cold in my body are only temporary. Is any level of pain unbearable when considered against nothingness? Such awareness frees ties to the frail body. I can see so many choices, so many words, so many possible lives fanning out from here. Each choice excludes millions, and creates others. Yet just one is me just sitting. So I sit… and sit. I notice. I am older.

Long ago I read Sartre’s “Nausea” and was profoundly affected by it’s cynical, existential tone. I often feel the nausea of not knowing who I am, not really knowing, only placing meaning, choosing from the emptiness. Nothing matters in the long run. It’s all relative to the vast space and time we are so good at ignoring. I don’t behave so cynically, but inside, I still feel it’s all just illusions, temporary patterns. So I choose to live the illusions, the subjective experience in general, of beauty, happiness, food, love, sex, trust, music, family, friends. These are what I rely on to compose and anchor my detachment. Otherwise I would just float away.

This sitting session helped me. Detachment is powerful. Frightening. Enticing. A burden and a gift. I am responsible for how I live.

I have work to do. I have goodness to share. I matter. I know. It’s all good if I breathe in synchronicity with the heartbeats around me.

The photo above is part of an Amish “double wedding ring” pattern quilt, from OH, 1930s. The interwoven circles could symbolize the inter-relatedness of all life on this fragile sphere.

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Garnet, Elsewhere

I’ve had a few things put up on other blogs in the past week. The first is a tiny story about a particular photo. The post with my story, among others is called An Eye. The Synchronicity of Indeterminacies puts up a photo once a week and asks for stories about it, just as he does on his blog. The stories are published on another blog, called The Indeterminacies of Sychronicity. Check out his blogs. I like ’em.

The other place I’ve had something “published” is at the Science Creative Quarterly. They asked for literary works with the keyword “evolution”. I wrote it as a joke. The other featured works are listed, including the winner of the contest.

Trust

green shadows I think about trust a lot. Trust of friends, family, lovers, animals, and especially trust of one’s self. I realized a long time ago that once damaged, trust takes a long time to heal. It’s like a house of cards. It takes time to build and can collapse in a second.

Some people grow up being confident and never learn to doubt themselves. I was one of them. For most of my life, everything went my way. But eventually I got duped in love and made enough mistakes in my life to really begin to wonder when the next mistake might occur. That’s the biggest mistake of all: fearing the next mistake. It snowballs into an iceberg of low self-esteem.

A few years back I went through a period of rabid self doubt. After R left me, I doubted everything about myself: my looks, my humor, my intelligence, my morals, everything. It eventually crept into my playing. I couldn’t just quit my job, but it was hell going to work. It didn’t help to practice. Because doubt can build up even more when something is carefully learned and then you still f*** it up. It’s a higher cliff to fall off.

So I just showed up, and sort of closed my eyes and dove in. The internal judgment was painful. I couldn’t do anything right. At least it felt that way. My colleagues assured me I sounded fine. Their generosity was part of my healing.

About that time I saw Spider Man 2. (I love that movie) In it he goes through a period of self doubt during which he loses his powers. His identity crisis consumes and weakens him. He recovers by finding his way back to himself through faith and trust. He learns to trust that he is loved and needed. He learns to have faith in his intrinsic value.

It took me a year to feel a normal trust again in my playing. I still don’t really know how I got it back. I built it up over time. I just kept breathing, kept falling into the next moment, noticing that I didn’t dissapear, no matter how bad I felt. Eventually the negative voices disappeared. Now I know I won’t lose it so easily again. I know how to nurture that fragile shell we all need.

The same kind of fragility exists in friendship. I once hurt the feelings of a close friend who might have become a lover. I didn’t know how much trust and closeness he felt for me. He moved away, both physically and emotionally. Love is a soft, fragile gift. Sometimes I’m careless with other’s love for me.

I know I’ve hurt many people in my life. It’s rarely intentional. I make choices which seem right for me, but which aren’t always right for those who care for me. For this reason I work on humility daily. I usually try to err in trusting too much rather than too little. This habit pays off. Trust comes back to me. It grows slowly, like thick, soft moss in a shady wooded glen, ready to cushion me should I fall.

On a trusting note, I met a blogger friend today in person for the first time. Kelly Bell attended a family concert I played in and came back stage to say hello. It was so cool to be able to hug the wonderful person who has shared many positive words with me here in the blogosphere. Her positive energy is even more vivid up close.

Let the trust grow.

Exuberance

The laughing inside met the laughing outside. They rode together for days. Laughing became a rejoinder to being blessed. I’ve been feeling more trusting of the idea of being blessed. It’s scary; Trusting. For me at least.

I’ve felt comfortable in my skin recently. Exuberant. Sometimes I can see myself in all my bumbling truth and just go with it, just notice. And if I let the noticing rest, it takes on a sweet life of its own. I float a bit lighter. I imagine my life as it is. No walls.

On my way to Bethesda last Wednesday I floated down the highway in my white bullet Volvo S60 T5. My butterfly tank, the Swedish SchmetterLink. I listened to the new Niel Young, “Prarie Wind”, the new Bonnie Raitt, “Souls Alike”, which is excellent, Cecelia Bartoli doing Italian love songs, the fantastically talented and sexy blond clarinetist Martin Fröst, who plays opera inspired music so sensually, and Steve Reich, which is hypnotic “phase” music, perhaps best described as acoustic sound textures. I love listening to music while I drive long distance. I do some of my best listening that way, as a captive audience.

A few hours after I arrived, we sat to a simple feast of steamed lobster and steak, surf and turf. Sipping a glass of wine, I chatted with Mom and Sis and her husband, Bill. Bill is a grand spirit, whose scope of observation is wide and inclusive. I believe his 1/32 portion of Native American blood affords him a deep, peaceful perspective on any subject. (Note to self. Date more Native Americans.) His tall, lanky body seems to bounce with generosity of spirit. He’s a professional gardener. Yup. He cares for a small, wealthy private estate in NW DC. He works hard, and knows the value of relaxation. He’s a boon to the Thomas family nervousness.

At some point in our bubbly conversation, I mentioned my stiffness from the drive and that I needed to do some yoga. Bill asked if I could do the plow, a pose where, while lying on the back, you bring the legs and hips up over the head and touch the toes over the head. Exuberantly, I jumped up to demonstrate. The half folded sofa bed looked like a good thing to lie on and demonstrate my limberness. I flopped my legs up over my head. I did it with such energy that the sofa bed folded up, swallowing my head and shoulders, while my legs flailed in the air. It must have looked cartoonish, the big sofa mouth with lanky legs flopping about. I wasn’t really stuck, but I couldn’t bring my weight down without bringing the whole couch with me, so I just stayed there, laughing so hard I couldn’t breathe, while the family tried to rescue me. They were seriously concerned, which made me laugh even harder for some reason. I haven’t laughed that deeply and completely in many years. As I wiped away the tears, we returned to our meal. Laughing at myself feels so good.

Sonya the Platinum Princess (Mom’s Papillon) is a perfect match for Platinum Glamor (Mom). But for some reason, she has closed membership to her private club with only two members, Platinum Glamor and me. (who could perhaps be called Platinum Glitter) My sister and her husband are not included. (we’re working on that) So the Platinum Sisters have their little parties, and no one else is invited.

Sonya is particularly happy when the three of us go outside so she can do her duty. We saunter across the front lawn while she sniffs around. Mom’s life is finely tuned to the delicate, intricate life of her personal angel, Sonya. I knew this for sure when as we spoke, Sonya spiraled in a smaller and smaller circle, and then, just before she stopped and squatted to pee, Mom uttered, “She’ll pee right…now.” And then, a few minutes later, it was pointed out that she would poop “now”, and, pointing the flashlight at it, noted how firm and healthy it was. Now that’s intimacy! Seriously, a pet schedule is healing to the human soul. Sonya’s exuberance is healing for Mom.

Among other things, the Platinum Sisters made Welshcakes, which are cookies cooked like pancakes on a griddle. It’s more fun with someone, so one can roll the batter and the other can flip each cookie. The Welshcake is a light, cakey butter cookie, with currants and a touch of cinnamon and nutmeg which goes great with tea. The recipe is my grandmother’s, from my father’s side. Though it’s a common cookie in Wales, my grandmother’s recipe is particularly yummy. I cook them every year in memory of Gramom, and send a few dozen to Dad.

While Mom and I cooked, Sonya pranced around, danced to her own electricity. If Mom’s moving, she’s dancing. She never rests unless Mom does. She looks so busy, twirling and pacing behind and around us, one wonders what she’s doing. There seemed to be a dozen or so cookies missing soon after we finished. There’s NO way Mom and I could have eaten them.

I connected with Sis Amy better than ever. I’m finally grown up enough to let down my “big brother” hair and just be her friend and fellow musician. I have great respect for my dear sister, who teaches 40 students a week privately, and freelances, managing her own flute and harp duo, plus plays principal flute and manages all the personnel of a small orchestra. She quit smoking over a year ago, after 25 years. Go Sis! I’m in awe of her sometimes. She is more efficient and organized than I’ll ever be.

On the way back to Columbus, I listened to the same CD set as on the way out. But I felt the music even deeper. As the beautiful rolling hills of Western Maryland uncoiled before me, I rejoiced at my good fortune. A bellow of life sprang from me unimpeded as the white bellies of snowy hills presented themselves to me with such perfect gullibility, trusting me, because I trust them.

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