Summerness: Robin Chorus at Dawn

Night brings out the muse, usually late.

Last night I went to bed early, giving in to deep relaxed fatigue, layered weights dragging me down the more I relaxed. I awoke way too early, 4:30 AM, not happy about sleepus interruptus, while ruminating mind began planning chores. NO, not now! In a rare appearance these days, my old friend spontaneity came to the rescue. “Get up” s’he said. “Go out and listen to the dawn. Follow the Robins dream. Spiral through the shift from night to day.” So, I got up an went out back to sit on the step and feel the dawn.

Sing robins, sing-
Gossip of angels,
lone voices call
across treetops
(lofty reaches)
in jazzy, lilting riffs.
Each outdoes the other-
point, counterpoint
development, refrain, repeat.
(chorus spinning)
Each answers gurgling trills
in telephonic circulation,
answers and calls,
(leave a message)
conversations which
rise in pitch
to feverish conniptions.

Sing, robins, sing-
thrilling chorus,
bid the light appear as
still air chills and flows in whispers.
The page begins to turn
(huge and gentle)
nudging oceans of molecules to dance.
Shadows barely hint as
the garden broaches the dark pitch.
Bones of structure
rise to the surface,
pale ghost forms
of architecture,
soon to be resurrected,
as night acquiesces.

Sing, robins, sing
for me, when I am gone.
Tell me how the book began
how the story will end.
Tell me why I fear to hear
what you can only sing,
a truth I will never understand.
But tell me yet, for perhaps
I can know as you know,
know in the singing.

I hear, I hear and it’s gone.

The Drummer by the Sea

A drummer sits by the sea
        listening to the hollow, holy undulation
of his mother’s clock
breathing against his face, his heart-
beating a different rhythm, a
        syncopation, a duet.
He calls to her and
she answers.
        She answers as he calls; he listens
to his own voice in the waves, her
rhythm,
his heartbeat, their duet…
the drummer hears
a whisper inside his ear,
(He took his inner voice to be
                           Hers.)
"Why," s’he said, "do I feel so lonely?
We haven’t been together in a long time.
Why, in order to be together
must we first be apart?"
S’he listened and heard and relaxed and
came together and came apart: together, apart.
S’he felt the swelling of their breath,
rising, falling, like the waves on the beach,
like the rising and falling of
their body,
the air,
the day,
the night,
and their rhythms;
soothing,
drumming beats,
of the sea, of the waves,
the waves and the foam,
and the crunchy, cool sand
and their feet titillated by it,
on it, off it, on, off.
billions of grains, ancient mountains,
crumbled empires,
fallen spires,
and the timeless sea, giver and taker,
and the dark lurkings underneath,
fear giving breath to joy.

Foxglove Fairys

foxgloveclose.JPG
We sat outside after dark
sipping mint juleps
tasting the relief of a gentle breeze
to soothe the long, hot breath of day

The light of several torches
brought them out,
the foxglove fairies.
From between flickers they flitted, translucent,
from under the bells’ pink florescences.
Looking closely,
little purple footprints could be seen,
evidence of romping at
sparkling parties
down
amongst the underbrush.

One flower
leaning close by our chairs,
peered at us with eyes
of nocturnal lilliputian romance
musing in the moonlight’s slippery rays
catching our thoughts
in platinum jars.

An Inch of an Odyssey

I like Taoist thought. You know, yin and yang, light and dark, how they always balance and counteract each other. I also love the idea that all distance is the same relative to infinity. This poem explores these ideas a bit.

An inch of an odyssey takes infinite time
Forever toward it
Forever undone, forever undone, ever undone
Assuming an end is presuming a beginning
Look where you’ve been. You look! You see!
Then wonder “Where on earth am I going?”
Preparing for death frees the wind
to sigh, breathing a soft, new breeze
blowing a tender new bud, unique seedling

Our days and our nights
Swallow each other whole-
Lune lusts for shadow chased Helios
There is no up, there is no down,
Nor back to the belly, nor the crown.
Only forward we lean to fall, grind, roll,
Heave atop the vanishing moment
Hop the lilting merrygoround.

Maps crumble into soot
pinched thin by greasy fingers
peddling false, painted mirrors.
Furrowed, worn paths fell us safely
To known, well trodden soil, dense, smooth, glossed
Away from the path to the effervescent fields
The path through the marshes, ripe, rank and raw
Away from the path beyond to gardenia festooned hills
There is no end, no beginning
Day and night flashes-
Tingling fragrant sparks
In our hearts.

Rhythms of the Seasons

The rhythms of the season hypnotize us
as they go ’round and ’round and ’round,
faster each year as we age,
building to some distant, palpable climax
while receding from another, ancient past.

Faster they spin, compelling us to fill fleeting days
with meaningful events.
(love may deepen,
hate grow brittle,
poetry more necessary)

To and fro, light to dark, the pendulum swings
stupendously, irrevocable across the map, throbbing
in every molecule with its unabashed preponderance.

No sooner sweet Summer arrives
in her full sensual glory
and vapid dissipation,
then be the slightest incline, the longest day tipped,
we start the slow, poignant slide
to the depths of
Winter.
Thus we arrive again at this valley
of Yin,
whose darkness and gravity turns us inward
to our sweetest, softest, most delicate
center.

As if by sheer will (and hope and need)
we nudge the gyration
back toward light,
we indulge in glitter and compassion.
We reward love needed and given
with earnest countenance.
We search our souls for cheerful ways
to decorate the days.
We celebrate the counterpoints of our lives,
barely pausing to reflect
over the abyss which lies beneath
the fragile music we make.

This was one of Barbara’s favorite of my poems.